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Fatima Hassouna: The Journalist Who Became the Story

She filmed the war, dreamed of a loud death, and became a global symbol of truth — Fatima's lens now tells her own story.

Watan-Fatima Hassouna, the young Palestinian journalist, transformed from a lens documenting massacres in Gaza into a global humanitarian icon. She wasn’t an ordinary journalist — she was a witness to Palestinian pain, capturing the truth from beneath the rubble. In a moment, her dream turned into a path toward martyrdom. Fatima herself became the story — captured by the very lenses she once stood behind.

In a moving message she left before her death, Fatima wrote:“If I die, I want a loud death. I don’t want to be just a breaking news item, or a number in a list.”

It was as if she had written her own prophecy. Fatima (25 years old) was martyred in an airstrike that targeted her home in northern Gaza — just days before her wedding. She died after spending 18 months documenting war, bombings, displacement, and the loss of 11 family members — and yet, she never let go of her camera.

Fatima’s Final Frame

Just hours before her death, Fatima received news that her documentary film had been selected for screening at the Cannes Film Festival. The film, titled “Put Your Soul in Your Hand and Walk”, was directed by Iranian filmmaker Sepideh Farsi, and was based on recorded interviews and footage with Fatima, capturing the suffering of Gaza and the brutality of the occupation.

Fatima’s work gained international attention, published across global platforms and showcased in exhibitions worldwide. Her killing was no accident — it was a deliberate assassination of a lens that carried Gaza’s voice to the world and documented, through images, the atrocities the occupation sought to erase.

Fatima was not a number. She was a story — a living testimony to her people’s resilience. Her martyrdom ignited social media, and her final words became an icon. Fatima, who dreamed of a “loud death,” received the immortality she longed for. In her absence, she left a lesson for every soul that chooses the camera as a weapon — and for those who remain, holding on to truth through the lens.

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